In The Mobile Image from Watteau to Boucher, art historian and curator David Pullins masterfully interrogates the status of the image as an object in eighteenth-century French art.

Provenance, or the documented ownership history of your artwork.

By Tom Faber As Frieze Los Angeles shines a spotlight on art in the city, one community, long facing institutional apathy, calls for marking its memories in the public mind. By Sam Lubell ...

At first glance, you would be forgiven for thinking that the work of contemporary Indonesian artist Citra Sasmita was made hundreds of years ago. From afar, her embroideries and paintings could ...

Drawing on his garden at Giverny over 30 years, the Orangerie paintings are his most successful depictions of his ponds, which he painted more than 200 times. They represent the water at different ...