L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.

L’Orfeo (SV 318), sometimes called La favola d’Orfeo, is an early Baroque favola in musica, or opera (sometimes considered late Renaissance), by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride ...

L'Orfeo (SV 318), sometimes called L'Orfeo, favola in musica, is an early Baroque opera by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world.

Read the libretto, translated to english, of the Italian opera L' Orfeo by Claudio Monteverdi on Opera-Arias.com. With links to other information and other operas.

2017年7月13日 · Watch the opening of L'Orfeo, a sublime piece of music and the world's first great operatic overture.The three Monteverdi ensembles – the Monteverdi Choir, E...

Work Title L’Orfeo Alt ernative. Title Favola in musica Name Translations L'Orfeo; Orfeus; Orfeusz; Орфей; אורפיאו; Օրփեոս; La fábula de Orfeo ...

L’Orfeo is an opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607.

2023年12月6日 · Claudio Monteverdi’s L’Orfeo premiered in Mantua in 1607 and continues to be regarded as one of the most important examples of early opera. With L’Orfeo, Monteverdi helped to establish the techniques and traditions that continue to inform the genre of opera to this day.

2024年11月17日 · In 1607, Claudio Monteverdi premiered his L’Orfeo at the court theatre of the Duke of Gonzaga in Mantua. The year 1600 had first seen this type of creation: Jacopo Peri’s L’Euridice was a staged presentation of myth believed to resurrect the manner of classical Greek tragedy in performance, with instrumental music and singing throughout.

In L’Orfeo, Monteverdi creates something entirely new. He lays out a blueprint for opera that will set the course of composition for the next three centuries.