Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he …

The Trinity, fresco created about 1427 in the Church of Santa Maria Novella by the early Renaissance Florentine artist Masaccio. It is likely to be the artist’s final work in Florence. The Trinity is often cited as the first major painting to use one-point linear perspective.

The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence.

The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love …

In sacred art, nothing is more difficult to depict than the Trinity. Here are some of our favorite artistic renditions of this great mystery of our faith.

2021年11月28日 · The Holy Trinity by Masaccio is regarded as one of the most iconic artworks of the Renaissance period. The Holy Trinity painting is located in Florence in the Dominican Church of Santa Maria Novella.

2023年9月19日 · The Trinity (Russian: Троица, tr. Troitsa, also called The Hospitality of Abraham) is an icon created by Russian painter Andrei Rublev in the 15th century. It is his most famous work and the most famous of all Russian icons, and it is regarded as one of the highest achievements of Russian art.

2014年6月14日 · It is here, on one of the walls inside the church, that Masaccio painted his fresco of the Holy Trinity in 1424. The title of the painting comes from the three key figures: Christ on the cross, God the Father standing on a ledge behind Christ, and the Holy Spirit.

In his Holy Trinity, Masaccio was the first individual of the Florentine Renaissance to properly explore the illusionistic potential of this new technique. The painting depicts a chapel, whose cavernous interior seems to open up before the viewer.

This painting proclaims the doctrine of the Trinity and the spirit of the seventeenth-century Catholic Counter-Reformation. The traditional Christian concept of the Trinity asserted that the infinite God manifests Himself in three persons.