
Anne Feng | History of Art & Architecture - Boston University
Professor Feng is a historian of Chinese art with specialties in medieval Buddhist art and the Dunhuang Caves. Her research explores the intersections between elemental media such as water and air and their roles in shaping visual and material cultures of China and Central Asia.
“Luminescent Visions: Transparency and Transformation in Medieval China”, Art and Materiality volume by Center for the Art of East Asia and the Smart Museum of Art, University of Chicago, forthcoming.
Anne Feng - Scholars - Institute for Advanced Study
Anne Feng is interested in the intersections between elemental media such as water and air and their roles in shaping visual and material cultures of China and Central Asia. While at IAS, she will be working on a book about Buddhist paradise images …
Anne Feng - The City College of New York
Anne Feng Asst to HEO. Main Affiliation. Art Email. [email protected]. Anne Feng. The City College of New York 160 Convent Avenue New York, NY 10031 p: 212.650.7000. Students. Email Academic Calendar Courses - CCNY Bulletin Courses - CUNY list Apply Now - Undergraduate ...
Anne Feng | Department of Art History
Anne Feng received her BA with Honors in Art History from New York University (2010). Her Honors Thesis focused on Song dynasty Ten Kings of Hell paintings from Ningbo in their local religious environment.
GILD Recent PhD Lecture 2021: Anne Feng | Department of …
2021年3月1日 · Anne Feng is an Assistant Professor of Chinese Art at Boston University. Her research interests include visual and material cultures of the Silk Road, theories of vision and meditation, mural painting, and representations of Buddhist Pure Lands.
Anne Feng at Boston University | Rate My Professors
Anne Feng is a professor in the History of Art department at Boston University - see what their students are saying about them or leave a rating yourself.
Anne N Feng - ACLS
Centered on the Dunhuang caves in northwest China, this project traces the development of a new type of representational space defined by convergent perspective in Chinese art, one that emerged from evolving attitudes towards hydro-engineering, aqueous materiality, and transparency in the Tang empire.
Anne Feng - CCL Mellon Foundation Seminar 2014
Anne Feng is a Ph.D. candidate at the University of Chicago. Her research interests include religious murals, Pure Land Buddhism, Dunhuang art, and Japanese Buddhist painting. She received her BA with Honors from New York University in 2010, with a thesis on the 12th century Ten Kings of Hell paintings from Metropolitan Museum of Art.
1Feng Anne N. Feng Boston University, History of Art and Architecture 725 Commonwealth Avenue, Boston, MA 02215 [email protected] EMPLOYMENT 2019 Boston University Assistant Professor of Chinese Art, History of Art & Architecture 2018 Harvard University Post-doctoral Fellow, East Asian Languages and Civilizations EDUCATION