2014年12月25日 · In both C major and the natural scale of A minor, the minor seconds are found between E and F, and B and C. In C Major, when you move from a G Maj chord to a C Maj chord, you have not only got a strong root movement (establishing a fundamental of C), you've got the B in the chord of G (the third of the chord) pushing into the note of C in the ...

2018年7月25日 · When you say that "the 7 in Cmaj7 indicates the 7th scale degree," I have one small adjustment: "the 7 in Cmaj7 indicates the 7th scale degree of the major scale" (hence the maj 7). So in C Ionian (or C Major), the seventh chord built on C is Cmaj7, because the pitches are C E G B, taken straight from the C-Ionian collection.

2021年1月1日 · The minor scale is just the major scale displaced by a 6th. It becomes clearer if we label the elements of the major scale below and then list the associated components of the minor scale. Major scale = 1-Maj, 2-Min, 3-Min, 4-Maj, 5-Maj, 6-Min, 7-Dim. Minor scale = 6-Min, 7-Dim, 1-Maj, 2-Min, 3-Min, 4-Maj, 5-Maj

2016年3月18日 · "Finally, I realized that because of the first four tones of the C-major scale, the C major-scale could in no way be in unity with that C-major chord because of the Do, Re, Mi, and Fa, Fa itself was a Do. That doesn’t sound Do, a “C” Do, that sounds the Fa Do.

2018年5月5日 · (3) Here comes the deciding differences (in practice) between C-Ionian and C-Maj. in this case (this point also applies to all the C Maj. Modes) it's not the notes in the mode that change, other than C Ionian it's simply the transposition of the C major scale up to the 1st octave, and the „Modal Chords“ that accompany a given mode and the ...

2018年5月4日 · I've seen that if you harmonize the major scale you get I maj, II min III min, IV maj, V maj, VI min, VII dim. For example (and forgive me if I'm wrong here) in D maj we'd have D maj, Emin, F#min, G maj, A maj, B min and C# dim? Anyway, whilst there still are some songs that use the C# dim, I hear a lot that use C maj instead.

2013年10月7日 · C maj. will be CENTRED around C, D Dorian will be CENTRED around D, E Phrygian will be... you get the picture. The home (CENTRED) note will be the mode letter. The chords may well be the same, but their function will be different, i.e. in C maj., the G will be the dominant pushing back to C, but in, D Dorian, the same G will be the sub-dominant ...

2017年8月13日 · The modes of C are the 7 arrangements you get from starting the C major scale from its 7 different root notes. You only think of parrallel modes like you have described as a harmonic / composition technique to slide around keys or add interest to a piece.

2016年4月5日 · Just as in the C Major scale - each of the seven notes in the D Major scale can be referred to by their scale degree. D = 1st - E = 2nd - F# = 3rd and so on. So to transpose a melody from C Major to D Major you would look at each note in the melody (written in C Major) and determine its scale degree.

Actually, C minor blues and pents - maj. or min. work over C. Since you mention ii - V - I, the I is telling. You could just stay within the C maj. scale notes. Dmin. will have the 'foreign' Bb, and G maj. the 'foreign' F#, both occurring in C blues. However, if …