
Chu Yun - Wikipedia
Chu Yun (Chinese: 储云; pinyin: Chǔ Yún; born 1977) is a Chinese conceptual artist.
Chu Yun (储云) - Vitamin Creative Space
Chu Yun was born in 1977 in Ji’an, Jiangxi province. He lives in Beijing. Chu Yun’s solo exhibitions include , Mirrored Gardens, Guangzhou, 2019; , Portikus, Frankfurt am Main, 2009; Chu Yun: Smile of the Matter, Vitamin Creative Space, Guangzhou, 2007.
楊筑云 - 维基百科,自由的百科全书
杨筑云 (2005年1月27日 —), 臺灣 女子 羽毛球 運動員,現為 中租企業羽球隊 隊員。 楊筑云受喜愛羽球的父親影響,自幼兒園接觸羽球,就讀 宜蘭馬賽國小 時接受正式羽球訓練 [3]。 就讀 臺北立大同高中 時與 詹又蓁 組成固定搭檔 [4],兩人在2021年 第二次全國羽球排名賽 乙組女雙奪冠,獲得 中華羽協 甲組球員資格 [5]。 楊筑云/詹又蓁在高中期間即備受臺灣羽壇期待 [6]。 兩人做為女雙主力幫助隊伍在 2022年世界青年羽毛球錦標賽 贏得混合團體亞軍 [7],隔年除了全國中 …
初允 CHU YUN | 北海道半熟乳塔 北海道十勝四葉奶酪
回歸到食物的本質,嚴選其原物料及食材, 將意念與內心想傳達的那份安心美味,完整的允諾給你。
储云 (Chu Yun) | 维他命艺术空间 - Vitamin Creative Space
储云1977年生于江西,曾在深圳工作和生活,现居北京。 Linda Weintraub编辑:《To Life! Eco Art Pursuit of A Sustainable Planet》,伯克利:加利福尼亚大学出版社,英语,2012。 “储云谈‘事物的心灵’”,“ARTFORUM中文网”,中文,2020年1月13日。 田霏宇:“储云(Chu Yun)”,《ARTFORUM》,2009年3月号,纽约:ARTFORUM International,英语,2009,第230-233页。
OPENINGS: CHU YUN - Artforum
CHU YUN’S “SOAP PIECE” became something of an improbable legend in the Chinese art world in 2008. This sculpture, actually titled Who Has Stolen Our Bodies?, consists of used bars of soap, collected from friends and acquaintances, arrayed atop a white plinth. Featured prominently in a number of recent exhibitions, the piece was in fact ...
储云 - 镜花园 Mirrored Gardens
Chu Yun . 过往展览与项目 | Past Exhibitions and Projects 储云:说不出的快乐 3@ 镜花园 | Chu Yun: Unspeakable Happiness 3 2021 · 春 | Spring 2020 · 冬 | Winter. 事物的心灵 —— 储云个展 | Chu Yun: The Mind of Things 2020 · 秋 | Autumn
CHU YUN 所有商品 - 初允 CHU YUN
使用溫和柔順的日本北海道よつ葉乳酪,搭配綿密滑口的美國乳酪溫順乳香與清爽酸度的完美比例,口感極為細緻滑順。 保存方式:冷凍★響應環保愛地球! 採不過度包裝出貨,如需送禮請自行加購提袋,造成不便請見諒。
Chu Yun-han - Wikipedia
Chu Yun-han (simplified Chinese: 朱云汉; traditional Chinese: 朱雲漢; pinyin: Zhū Yúnhàn; Wade–Giles: Chu Yun-han; 3 February 1956 – 5 February 2023) was a Taiwanese political scholar, and an academician of the Academia Sinica.
Chu Yun - Artforum
In 2007, Chu Yun mounted a show at Vitamin Creative Space, then located in the depths of a bustling vegetable market in Guangzhou. Titled “Smile of Matter,” the exhibition featured works made from the detritus—and conjuring the atmosphere—of a sad-sack middle-class consumer’s day-to-day life: a cellphone, a light box advertising a new ...