2020年8月2日 · Graphic Design, Illustration, Typography, Glyphs, Adobe Illustrator, Adobe Photoshop

2020年1月27日 · Anatomy. Didot was inspired by the transitional font, Baskerville. However, while Baskerville was created for its readability, Didot was fashioned with more style in mind.

The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris. His brother, Pierre Didot (1760–1853) used the types in printing. His edition of La Henriade …

2017年9月16日 · Most of the well-known Didot typefaces were developed between 1784–1811. Firmin Didot cut and cast the type in Paris and his brother Pierre Didot created an edition of La Henriade by Voltaire...

2023年1月21日 · Didot typeface study is a project about a family that influenced modern typography, with an emphasis on typography as a form of expression and semiotics as an identifying axis. This project includes the evolution, history, characteristics, and applications in various industries.

Named after the renowned French typographers and printers, the Didot family, this typeface has graced countless printed materials since its creation in the late 18th century. Known for its high contrast, dramatic serifs, and unmistakable […]

2020年2月25日 · Regarded to this day as being the first modern typeface, Didot is known for its high contrast, hairline serifs, and vertical stress. Simple, strong, and geometric, Didot’s qualities parallel...

2024年12月6日 · I aimed to design a piece that not only showcased Didot’s personality but also highlighted the work of its creator and the distinct features that make it iconic. One of my favorite parts of this project was designing the anatomy spread, where I explored the structural elements of the typeface and uncovered fun facts about its design.

2017年2月4日 · Didot Anatomy of Type designed by Lejla Imamovic. Connect with them on Dribbble; the global community for designers and creative professionals.

2020年9月26日 · Modern (aka Neoclassical + Didone): Have a more pronounced contrast between thick and thin lines in letterforms, axis of curved strokes is vertical with little to no bracketing, earliest typefaces...