The F51 (1920) is not just any armchair, it is the iconic armchair for the director’s room in the Weimar Bauhaus. Walter Gropius had already injected his modernist dynamic into the building and created a small holistic work of art, encompassing interiors …

For her new take on the F51 Katrin Greiling demonstrates how to rethink the iconic chair’s surfaces and colours. She presents the Gropius armchair in striking colour and texture combinations that change perspectives and draw attention. In doing so she has given the F51 a new face after 100 years.

The F51 armchair was designed in 1920 by the then Bauhaus director Walter Gropius for his room in Weimar and has been faithfully produced since 1986 by Tecta. The cubic armchair combines voluminous upholstery with a then novel support structure, in which the armrests protrude freely and the back of the chair does not reach the ground.

F51（1920）不是普通的扶手椅，它是魏玛包豪斯的导演室的标志性扶手椅。 沃尔特-格罗皮乌斯（Walter Gropius）已经将他的现代主义活力注入到建筑中，并创造了一个小型的整体艺术作品，包含了内饰和家具、挂毯和顶灯。 没有什么是随机选择的，一切都有联系。 如果你研究导演室的等距布局，你可以看到家具是一个三维坐标系统的一部分。 所有主要的设计师，包括马特-斯塔姆，都曾走过魏玛包豪斯的这个中央房间。 自觉或不自觉地，他们已经受到了F51扶手椅的总 …

The Walter Gropius designed cubist F 51 armchair and sofa suite combine voluminous upholstery with a novel frame. This intersection of volume and linearity is reminiscent of contemporary architecture projects by Gropius, particularly the residential building that he referred to as Baukasten im Grossen (Large-scale building kit).

The Armchair F51, design by Walter Gropius for Tecta, is a reproduction of the armchair that was used in Gropius' office at the Dessau Bauhaus. The Gropius Armchair has been widely studied, and is widely known by architects and designers.

The F51 is not just any armchair, it is the iconic armchair for the director’s room in the Weimar Bauhaus.‎ Walter Gropius had already injected his modernist dynamic into the building and created a small holistic work of art, encompassing interiors and …

The F51 (1920) is not just any armchair, it is the iconic armchair for the director’s room in the Weimar Bauhaus. Walter Gropius had already injected his modernist dynamic into the building and created a small holistic work of art, encompassing interiors …

F51 的扶手自由突出，甚至椅子后面也没有碰到地面。 这件作品接受了利斯西茨基的愿景，被认为是一种创新。 她对 F51 Katrin Greiling 的新作品展示了如何重新思考标志性椅子的表面和颜色。

The F51 is the iconic armchair designed by Walter Gropius for the director's room of the Bauhaus in Weimar. Its protruding armrests can be seen as a forerunner of Mart Stam's legless chairs and anticipate Marcel Breuer's stool on runners. A forward-looking approach to design, which radically questions everything that i