The Gibson ES-295 (1952–1959) is a hollow body guitar which was built by the Gibson Guitar Company. The ES-295 was introduced in May 1952 as a fancier version of the ES-175. The 295 had the same measurements as the ES-175, but it came in gold finish and featured a combination trapeze bridge/tailpiece.

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Debuting in 1952, the ES-295 built upon its successful predecessor, the ES-175. Unlike the single-pickup ES-175, the ES-295 boasted two P-90s and set the stage for the coming rock ’n’ roll revolution and became a significant part of Gibson's storied “Golden Era” under Ted McCarty.

What makes this guitar special: Reissued for only a short period of time between 1990 & '93, this gorgeous first year model features an all bullion gold finish, gold hardware & Bigsby tremolo tailpiece. Warm, rich tone with a beautiful acoustic resonance & sustain. Neck: Slender profile mahogany neck with cream binding & black side-dots.

2019年4月19日 · The pristine 1953 Gibson ES-295 in our latest Vintage Bench Test is a prime example of the guitar that Scotty Moore used to back Elvis and kickstart rock ’n’ roll

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Moore’s ES-295 can be heard on Elvis’ first four Sun singles, including “That’s All Right” and “I’m Left, You’re Right, She’s Gone.” Though Gibson never planned it, Moore’s Gibson ES-295 (serial number A-12290) became the first rock and roll guitar, its fancy gold finish as outrageous as the music it suddenly represented ...

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- single sharp cutaway ES-175-style body, maple top, back, and sides, two f-holes, multi-ply body binding, maple neck, 19-fret (1952-55) or 20-fret (1955-58) bound rosewood fingerboard with split pearl parallelogram inlays, black headstock overlay with pearl plant/logo inlay, three-per-side tuners with pearl buttons, trapeze wraparound bridge/ta...

Ripe with player vibe and wear that only decades of play time can impart, this 1954 Gibson ES-295 is without question a top-tier 50s electric archtop in every way.