Explore the collection > GOYA - Museo Nacional del Prado
Depicted when he was Director of Painting of the Real Academia de San Fernando, Goya is shown with the firm gaze of a man of the Enlightenment. The Academia has the original of this bust, acquired from the painter’s grandson Mariano Goya in 1858.
Goya y Lucientes, Francisco de - Museo Nacional del Prado
After recovering his salary and rights, he began painting for the Crown and its high dignitaries again (Portrait of Ferdinand VII with Royal Robes, Madrid, Museo del Prado; and Portrait of the Duke of San Carlos (Zaragoza, Museo de Bellas Artes).
Collection - Museo Nacional del Prado
It was only with Goya at the end of the century that a Spanish painter once again dominated the court scene. The Prado and its collections reflect the history of Spain, whose waning role on the international stage in the 19th century reduced its appeal for foreign artists.
The Drowning Dog - The Collection - Museo Nacional del Prado
The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter.
Saturn - The Collection - Museo Nacional del Prado
The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter.
The 2nd of May 1808 in Madrid or “The Fight against the …
In fact, neither the documents regarding the ceremony, nor the descriptions of the temporarily erected monuments and their allegorical ornamentation, mention the paintings by Goya.
Goya in Madrid - Exhibition - Museo Nacional del Prado
2014年11月28日 · This exhibition brings together Goya's cartoons with those of other artists, whilst also exhibiting paintings and sculptures that served as models for his startlingly new and innovative creations.
The 3rd of May 1808 in Madrid, or “The Executions”
Goya chose for this last subject –which were already underway by the afternoon of the very same 2nd of May, in the paseo del Prado and in broad daylight–to represent the night executions and the rainy night of the 3rd of May on the outskirts of Madrid.
The Straw Manikin - The Collection - Museo Nacional del Prado
Four young women laugh and play at blanket-tossing a doll or manikin in the air. The latter s movement is the result of their caprice. Its carnival origins are visible in the use of masks and joking, but the blanket-tossing of a doll is used here by Goya as a clear allegory of women s domination of men.
Goya - The Collection - Museo Nacional del Prado
2016年1月6日 · Depicted when he was Director of Painting of the Real Academia de San Fernando, Goya is shown with the firm gaze of a man of the Enlightenment. The Academia has the original of this bust, acquired from the painter’s grandson Mariano Goya in 1858.