The Gutai Art Association (具体美術協会, Gutai Bijutsu Kyōkai, or, short, Gutai) was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It …

The Japanese Gutai movement's energetic approach exemplified the freedoms available in the country's newly democratic homeland and in global artistic openness.

Gutai: Splendid Playground presents Japan’s most influential avant-garde collective of the postwar era. Founded by artist, critic, and teacher Yoshihara Jirō, the Gutai group was legendary in its own time.

Gutai were a Japanese avant-garde group formed in 1954 whose radical ideas and approaches to making art anticipated later performance and conceptual art of the 1960s and 1970s

2024年9月23日 · The Gutai group, whose best-known figure was Kazuo Shiraga, was a post-war Japanese collective of experimental multimedia and performance artists

2024年7月17日 · The Gutai Art Association, founded in Japan in 1954, stands as a pioneering force in the realm of avant-garde art. Led by the visionary Jirō Yoshihara, Gutai artists sought to redefine the boundaries of artistic expression through innovative techniques and a profound commitment to the ethos of “concreteness.”

Gutai: Splendid Playground presents the creative spectrum of Japan’s most influential avant-garde collective of the postwar era.

2019年8月1日 · Like Dadaism in Europe, Gutai marked a real revolution in the artistic world. At the crossroads between abstraction, surrealism, and the Dada movement, it breathed new life into contemporary art, and would go on to inspire the performance- and audience-focused events created by artists such as Marina Abramovic and Orlan.

The First Gutai Art Exhibition took place at Ohara Hall in Tokyo, Japan, in October 1955. [1] This exhibition was the first exhibition of the Gutai and displayed artworks created by a group of young artists formed around association leader Jiro Yoshihara.

The Gutai Group was one of the most important artist collectives in postwar Japan. Founded by Yoshihara Jirō in 1954 near Osaka, its name translates as “concrete,” a reflection of the artists’ desire to push beyond the abstract painting of the day with experiments in pure materiality.