Timeline of Henry Moore's life - Henry Moore Foundation
A major exhibition at the Metropolitan Museum of Art, New York, shows Moore’s early carvings, addressing his reputation for only making monumental outdoor works. Mother and Child I 1983 (CGM 671), etching and aquatint in four colours.
Carving a sculptural career | Henry Moore Foundation
Moore started exhibiting his work in the early 1920s, making lasting friendships with other contemporary artists and developing his own unique modernist aesthetic.
Moore's early life – schoolboy, soldier, student - Henry Moore …
Moore had loved carving since his school days, having been captivated by the medieval sculptures he saw on school trips to local churches. Now he joined with contemporary artists in the drive for ‘direct carving’ and ‘truth to materials’ – ideas promoted by his tutor Leon Underwood.
HENRY MOORE EARLY CARVINGS 1920-1940 - British Council
A three-dimensional work of art. Such works may be carved, modelled, constructed, or cast. Sculptures can also be described as assemblage, in the round, relief, and made in a huge variety of media. Contemporary practice also includes live elements, as in Gilbert & George 'Living Sculpture' as well as broadcast work, radio or sound sculpture.
List of sculptures by Henry Moore - Wikipedia
Henry Moore, standing next to his sculpture. This article lists a selection of notable works created by Henry Moore. The listing follows the list of works within the 1988 book Sculpture by Henry Moore [1] and links to images of the Henry Moore Artwork Catalogue. [2]
Henry Moore: Sculptural Process and Public Identity - Tate
From the early 1940s until the end of the 1950s carving in both stone and wood played a less central role in Moore’s sculpture than it had before the war. However, in the early 1960s, when he started to spend extended periods near the Carrara quarries in Italy, Moore’s passion for stone was reignited and carving became important again in ...
Henry Moore - Wikipedia
Moore's earliest recorded carvings – a plaque for the Scott Society at Castleford Secondary School, and a Roll of Honour commemorating the boys who went to fight in the First World War from the school – were executed around this time. [5]
Sarah Victoria Turner, 'Henry Moore and Direct Carving ... - Tate
In this essay Sarah Turner examines Moore’s carving through a close engagement with particular works that were carved from a range of materials. She also explores the ways in which carving became an evocative concept for sculptors, writers and critics in the twentieth century.
Henry Moore: Sculptural Process and Public Identity - Tate
MOORE: One great lesson that Negro Sculpture, more than most primitive schools, can teach the carver is the full realisation of form in the round. Too much direct carving nowadays follows the line of least resistance, and, from too great a respect, amounting to fear of the material, remains only relief carving, a smoothed up mass with forms ...
Composition - High Museum of Art
Moore abandoned the use of clay preparatory models and began to carve directly into the surface of stone and wood; he sought to enhance the inherent characteristics of his natural materials. Massive pre-Columbian and Neolithic stone carvings, as well as the experimental abstract forms of avant-garde artists such as Jean Arp, strongly influenced ...
- 某些结果已被删除