2024年11月28日 · From his first unplanned appearance in The Lodger (1927) to his last in Family Plot (1976), Hitchcock's 40 cameos have become a hallmark of his career, blending humor with mystery. This remarkable supercut, edited by Morgan T. Rhys, strings together every Hitchcock cameo from his extensive filmography.

English film director Alfred Hitchcock made cameo appearances in 40 of his films. They began during production of The Lodger: A Story of the London Fog when an actor failed to show up, and the director filled in for him. The playful gesture became one of Hitchcock's trademarks, with fans making a sport of trying to spot his cameos.

2024年4月17日 · (Alfred Hitchcock, US 1958, 128 min., 35mm) In Hitchcock’s most personal film, a retired San Francisco detective (James Stewart) is hired to follow the wife (Kim Novak) of a former school chum. Slowly, inexorably, he becomes obsessed with his charge, but both are haunted by their own personal ghosts.

From Lumiere Brothers to contemporary cinema... a subjective view on the history of 35mm cinema, quotes of famous directors; documentary, "unknown" and…

Hitchcock's cameo appearance in The Man Who Knew Too Much (1934) occurs approximately 34 minutes into the film. As a bus passes by, two men walk from screen right to left. The bus has an advert for the "Isle of Man" — the location used in The Manxman (1929).

2014年4月2日 · One Hitchcock scholar suggested in print that Hitchcock appeared in the movie briefly dressed as one of the characters, but he later retracted this suggestion. Some have speculated that Hitchcock’s profile can be seen as a flashing neon image in the background, but it seems that this is probably only a coincidence.

The VISION3 50D is a low-speed daylight-balanced color negative movie film characterized by its ability to record a wide dynamic range with increased highlight sensitivity. It has an exposure index of 50 when shot in daylight conditions and its fine grain structure contributes to notably high image sharpness.

2021年1月18日 · We're excited to show this brilliant supercut of every one of Alfred Hitchcock's 37 cameos in his own films. From 'The Lodger' to 'Family Plot' he's in them all

2014年8月14日 · Hitchcock uses 3D effect to make these words prominent in the foreground and physically separated from the telephone dial in the background. Thus by highlighting these words he visually presents the main element of his suspense: The role of telephone in the murder plan.

Alfred Hitchcock | 1972 | UK | 35mm | 116m More gruesome and graphic than Psycho due to the relaxation of censorship in the 70s, this typically English and at times terrifying story of a sex killer at large, written by Anthony Shaffer, screenwriter of Sleuth and The Wicker Man, deploys Hitchcock’s Wrong Man plot standby one