Japanoise (ジャパノイズ, Japanoizu), a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. [ 1 ] [ 2 ] Nick Cain of The Wire identifies the "primacy of Japanese Noise artists like Merzbow , Hijokaidan and Incapacitants as one of the major developments in noise music since 1990.

2023年8月14日 · Japanoise (or Japanese noise music) is a genre and subculture that originated in Japan in the 1980s. It’s characterized by its use of extreme noise, distortion, and experimental sounds, often being blatantly atonal and arhythmical.

2022年11月5日 · 在80年代，一种奇异的地下音乐类型涌现了：日本噪音（Japanoise，又作Japanese Noise） [1]。 这类音乐基于回授，缺乏旋律与结构，常被认作是音乐的终结。 大卫·诺瓦克利用媒介人类学的工具，追溯了这一流派建构的历史。 本访谈与 Volume! The French Journal of Popular Music Studies 合作出版。 本采访的较长版本将在2018年12月11日出版的下一期Volume [2]中提供。 🔗原文： Japanoise: Affect at the Edge of Music.

2013年6月3日 · Japanoise is an extreme case study of modern musical subjectivity that demonstrates how core cultural ideas are formed on the fringe. David Novak's treatment of circulation as embedded in the creative process will shift the debate in ethnomusicology, popular music studies, and global media studies."

Japanoise is an extreme case study of modern musical subjectivity that demonstrates how core cultural ideas are formed on the fringe. David Novak's treatment of circulation as embedded in the creative process will shift the debate in ethnomusicology, popular music studies, and …

NOISE Music at the Edge of Circulation. Home; About the Book; About the Author; Supplemental Media; News & Links

最終，這一運動催生了一種噪音子類型，被稱為“ 日噪 ”（ Japanoise ）。 在接下來的數十年裡，藉由諸多才華洋溢的音樂人如： Merzbow、非常階段、Boredoms、C.C.C.C. 等人的驚異作品，贏得了國際上眾多地下狂粉的追隨。

2014年1月22日 · In Japanoise: Music at the Edge of Circulation, David Novak explores the underground Noise scenes in Japan (Osaka, Kyoto, Tokyo) and North America (New York City, San Francisco, Providence, and London, Ontario) to demonstrate how Noise serves as an object of transnational circulation with an emphasis on the “cultural feedback” that ...

In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners.

2010年10月19日 · Japanoise, or ジャパノイズ, is a portmanteau of the words "Japanese" and "noise": a term applied to the diverse, prolific, and influential noise music scene of Japan. [1] . Primarily popular and active in the 1980s and 1990s but still alive today, the Japanoise scene is defined by a remarkable sense of musical freedom.