Flag (painting) - Wikipedia
Flag is an encaustic painting by the American artist Jasper Johns. It was created in 1954-1955, when Johns was 24, two years after he was discharged from the U.S. Army. This painting was the first of many works that Johns made, as he said, that were inspired by …
Jasper Johns. Flag. 1954-55 (dated on reverse 1954) - MoMA
Flag. 1954-55 (dated on reverse 1954). Encaustic, oil, and collage on fabric mounted on plywood, three panels. 42 1/4 x 60 5/8" (107.3 x 153.8 cm). Gift of Philip Johnson in honor of Alfred H. Barr, Jr. 106.1973. © 2025 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY.
The Story Behind Jasper Johns’ American Flag & His Most ...
2018年4月20日 · Johns’ first use of the flag motif was the result of a dream the artist had in 1954 when he was 24 years old. Flag was exhibited in Johns’ first one-man show at Leo Castelli’s gallery in 1958 and is now located at MoMA in New York.
Flag (1954–55) | Description, Significance, & Facts | Britannica
Flag (1954–55), encaustic, oil, and collage painting on wood panel that was created in 1954–55 by American artist Jasper Johns. It was the first of many renderings of the flag of the United States by Johns and is one of his best-known works.
Flag, 1954-55 by Jasper Johns
Flag, 1954-55 by Jasper Johns Johns has said that the idea to paint this first American flag came to him in a dream. Although he began the work using enamel house paint, he soon turned to his variant of the ancient medium of encaustic wherein wax, not oil, binds pigment.
Jasper Johns | Three Flags | Whitney Museum of American Art
2021年9月29日 · In 1954, Jasper Johns began painting what would become one of his signature emblems: the American flag. As an iconic image--comparable to the targets, maps, and letters that he also has depicted--Johns realized that the flag …
Smarthistory – Icon and irony: Jasper Johns, Flag
As a precursor to Pop Art of the 1960s, Johns was one of the first artists to make art based on common everyday objects. By representing a flag, Johns eliminated the artist’s subjective role to choose color and forms to express an idea, and thus forces us to reconsider these things traditionally valued in art.