Jeanne Mammen (21 November 1890 – 22 April 1976) was a German painter, illustrator, and printmaker. Her work is associated with the New Objectivity, Symbolism, and Cubism movements.

Jeanne Mammen was a German artist born in 1890 in Berlin, Germany. She was known for her work in watercolor, oil, lithography, and sculpture, often depicting female subjects and female relationships, both platonic and romantic. Mammen was associated with the New Objectivity, Symbolism, and Cubism and was contemporaries with George Grosz and ...

Jeanne Mammen (* 21. November 1890 in Berlin als Gertrud Johanna Luise Mammen[1]; † 22. April 1976 ebenda) war eine deutsche Malerin, Zeichnerin und Übersetzerin der Moderne. Ihre Arbeiten entstanden im Kontext der veristischen Kunstrichtung.

2020年9月29日 · 德国画家珍妮·玛门（Jeanne Mammen，1890-1976）个人创作的巅峰期是在魏玛共和国时代，以描绘独立、性感的女人和柏林城市生活的画作而闻名，因此通常会被与以奥托·迪克斯和乔治·格罗斯为代表的“新客观性”艺术联系在一起。

Watercolorist, painter, printmaker. Raised in Paris. Studied art in Paris, Brussels, and Rome from 1906 until 1911. As a German citizen, was forced to flee France with her family at outbreak of World War I; lost all possessions.

Jeanne Mammen was a German artist best known for her paintings and illustrations of Berlin’s city life as well as women’s sensual strength. Mammen studied at the Académie Julian and the Académie Royale des Beaux-Arts in Brussels from 1906 to 1911.

Jeanne Mammen (21 November 1890 – 22 April 1976) was a German painter, illustrator, and printmaker. Her work is associated with the New Objectivity, Symbolism, and Cubism movements. She is best known for her depictions of queer women and Berlin city life during the Weimar period.

With her pictures of the 1920’s, Jeanne Mammen ranks as one of Berlin’s most well-known painters and graphic artists. During the Nazi regime and in the post-war period, the uncompromising artist broke new ground and yet remained true to herself.

Jeanne Mammen gehört mit ihren Bildern der 1920er Jahre zu den bekanntesten Berliner Malerinnen und Grafikerinnen. Während des NS-Regimes und in der Nachkriegszeit ging die Künstlerin kompromisslos neue Wege.

Jeanne Mammen is one of the most impressive, unusual and versatile German female artists of the twentieth century. She is frequently mentioned in connection with Käthe Kollwitz and Hanna Höch, two artists who also showed a strong engagement in social emancipation, and whose most successful years also date to the Weimar era.