Escher broke down the boundaries between art and science by combining complicated mathematics with precise draftsmanship and an eye for the unusual. His work is a combination of intricate realism and fantasy.

M.C. Escher, his art is enjoyed by millions of people all over the world, as can be seen on the many websites regarding his life and work. He is most famous for his so-called impossible constructions, such as Ascending and Descending, Relativity as well as his Transformation Prints, such as Metamorphosis I, II and III, Sky & Water I or Reptiles.

Maurits Cornelis Escher (/ ˈɛʃər /; [1]Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in his native Netherlands.

M.C. Escher lived in the XIX – XX cent., a remarkable figure of Dutch Surrealism and Op Art. Find more works of this artist at Wikiart.org – best visual art database.

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“Encounter” is a compelling artwork by the renowned Dutch artist M.C. Escher, created in 1944. Falling within the Op Art movement, this piece exemplifies the genre of tessellation, which is a distinctive feature of Escher’s oeuvre.

Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Cycle’ was created in 1938 by M.C. Escher in Op Art style. Find more prominent pieces of tessellation at Wikiart.org – best visual art database.

M.C. Escher was a Dutch graphic artist known for his iconic optical illusions. His lithographs, woodcuts, engravings, and drawings expressed a high level of technical expertise and meticulous attention to detail.

The artwork, titled “Liberation,” was created by the distinguished artist M.C. Escher in 1955. It belongs to the Op Art movement and exemplifies the genre of tessellation. In the artwork, Escher skillfully uses a gradual transformation of shapes to depict a compelling journey from geometric abstraction to the embodiment of natural forms.

“Circle Limit IV” is a notable artwork created by M.C. Escher in 1960, associated with the Op Art movement, and belonging to the genre of tessellation. This piece is part of Escher’s “Circle Limit” series, which exemplifies the artist’s fascination with mathematical concepts and infinite patterns.