Rhythm 0 was a six-hour long endurance art performance by the Serbian performance artist Marina Abramović performed in Naples in 1974. [1] The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table.

2022年6月29日 · Marina Abramović’s famous performance called Rhythm 0 attracted attention due to its violent and even life-threatening interaction between the audience and the passively enduring artist. While the performance started out relatively harmless, the piece soon turned into something more sinister.

2023年3月30日 · In 1974, Marina Abramović’s “Rhythm 0” pushed the bounds of performance art as it had been previously understood. While she had engaged in acts of violence against herself in past projects...

2024年8月24日 · In 1974, legendary performance artist Marina Abramović performed Rhythm 0, a daring 6-hour work inviting her audience to do anything to her unmoving body. Through her work, Abramović attempted to explore human nature when given complete freedom and themes of sexual violation.

2024年8月21日 · Marina Abramović’s Rhythm 0 remains a groundbreaking piece of performance art that challenges viewers to confront the darker aspects of human nature. By giving her audience complete control, Abramović exposed the thin …

2023年11月30日 · Going solely on Marina Abramović’s 1974 performance art piece, Rhythm 0, the answer is about six hours. The piece was infamous, not because of what it revealed about her as an artist, but what it said about the participating audience.

5 天之前 · Marina Abramović performing 'Rhythm 0' (YouTube/Marina Abramović Institute) The piece ended up descending into chaos , with the now 78-year-old admitting she was 'ready to die' after having her ...

In response to this criticism, Abramović performed Rhythm 0, in which she stood impassively and put herself completely in the hands of her audience.

Learn about this artwork by Marina Abramović in the Guggenheim's Collection Online.

‘Rhythm 0‘, Marina Abramovic, 1974