Albrecht Dürer | Melencolia I | The Metropolitan Museum of Art
Explore one of the most significant Cubist art collections ever assembled from multiple perspectives. A Happy Occasion for *Melencolia I* Nadine Orenstein, curator in the Department of Drawings and Prints, discusses Albrecht Dürer's Melencolia I (1514), a masterpiece of engraving whose imagery has fascinated artists, historians, scientists ...
Albrecht Dürer, Melencolia I, 1514 - National Gallery of Art
Simultaneously inviting and resisting interpretation, Melencolia I is a testament to Dürer’s extraordinary intellectual ambition and artistic imagination. A winged figure sits, brooding, her face in shadow but her eyes alert. She rests her head on her left hand and toys with a caliper (resembling a compass) in her right.
Smarthistory – Albrecht Dürer, Melencolia
Albrecht Dürer is the rare artist who truly deserves to be called genius. Genius, however, is tricky business. Dürer’s intellect, introspection, and unrelenting perfectionism may have driven him to a state of melancholia—what is now known as depression.
Albrecht Dürer, Melencolia I | DailyArt Magazine
2023年9月13日 · A renowned print, famously titled “Melencolia I” and crafted by Albrecht Dürer, stands as one of the most captivating works in art history. Within this unassuming monochromatic masterpiece, a plethora of symbols and significances lie encoded.
Melencolia I - Albrecht Dürer — Google Arts & Culture
Dürer ’s personification of the melancholic temperament in his most famous print, Melencolia I, shows a brooding, inactive figure who sits under an hourglass, weighed down by her own thoughts and...
Melencolia I - Cleveland Museum of Art
Published to celebrate the closing stages of a long-term renovation and expansion, this exquisitely illustrated volume features treasures from the museum's deep and wide-reaching collection including Asian Art, African Art, American Painting and Sculpture, European Painting and Sculpture, Medieval Art, Ancient Egyptian Art, Ancient Near East ...
Melencolia I - Cleveland Museum of Art
5 天之前 · Although the title indentifies the subject as melancholy, the means by which Dürer demonstrates this emotional state is complex, making Melencolia I the most analyzed and discussed of Dürer’s works. Dürer personifies melancholy as a formidable female—her power originates in her ability to alter a man’s temperament into a melancholic state.
Melancholy I, 1514 - Albrecht Durer - WikiArt.org
2021年10月18日 · Melancholy is a lyric confession, the self-conscious introspection of the Renaissance artist, unprecedented in northern art. Erwin Panofsky is right in considering this admirable plate the spiritual self-portrait of Dürer."
Melencolia I, Albrecht Dürer ^ Minneapolis Institute of Art
By any measure, Melencolia I is an arresting image. A magnificent, laurel-crowned angel sits brooding in the foreground. In its hand and strewn about are the tools and materials of physical creation—from hammer and nails to an alchemical crucible (vessel). Sitting on a millstone is a putto, scribbling away on a tablet.
Albrecht Dürer | Melencolia I | The Metropolitan Museum of Art
Artist: Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Date: 1514. Medium: Engraving. Dimensions: Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm) Classification: Prints. Credit Line: George Khuner Collection, Bequest of Marianne Khuner, 1984. Object Number: 1984.1201.18. An illustrated explainer.
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