
Muzz (album) - Wikipedia
Muzz is the studio album by American rock supergroup Muzz. The album was released on June 5, 2020, through Matador Records. Four singles were released ahead of the album: "Bad Feeling", "Red Western Sky", "Broken Tambourine", and "Knuckleduster".
Muzz (band) - Wikipedia
Muzz is an American band based in New York City. The band consists of Paul Banks, Matt Barrick, and Josh Kaufman.
Muzz | Muzz
There are upstart rockers like “Red Western Sky” and “Knuckleduster” and jazz-beat drum showcases like “How Many Days” and “All Is Dead To Me,” but no matter the sonic direction Muzz go, they go there as if effortlessly and with maximum emotional, cosmic charge.
Muzz: Muzz Album Review - Pitchfork
2020年6月4日 · Bringing together members of Interpol, the Walkmen, and Bonny Light Horseman, the indie supergroup’s debut album is a carefully crafted pastoral travelogue. Like “Superman” or “superfood,” the...
Muzz - YouTube Music
Muzz is the studio album by American rock supergroup Muzz. The album was released on June 5, 2020, through Matador Records. Four singles were released ahead of the album: "Bad...
Album by Muzz - Apple Music
Listen to Muzz by Muzz on Apple Music. 2020. 12 Songs. Duration: 43 minutes.
Muzz – Muzz – CD (Album), 2020 [r15427709] | Discogs
2020年6月5日 · View credits, reviews, tracks and shop for the 2020 CD release of "Muzz" on Discogs.
Muzz - 豆瓣音乐
Muzz, the new project of Paul Banks (Interpol), Josh Kaufman (producer/multi-instrumentalist and one third of Bonny Light Horseman), and Matt Barrick (drummer of Jonathan Fire*Eater, The Walkmen, and Fleet Foxes’ touring band), release their self-titled, debut album, on Matador. Muzz was born out of longstanding friendship and collaboration.
Muzz by Muzz (Album, Indie Rock): Reviews, Ratings, Credits, …
2020年6月5日 · Muzz, an Album by Muzz. Released 5 June 2020 on Matador (catalog no. OLE-1458-6; Lossless Digital). Genres: Indie Rock. Rated #1476 in the best albums of 2020.
Muzz - Reviews - Album of The Year
Given that freedom to be whatever they wanted to be, the trio’s self-titled debut album sounds like the first airing of lost classic rock record, with a tonality redolent of tube amps and smoky studios. It is one that is felt more than it is heard and it is so at a layer that resonates on wavelengths only reserved for the finest of arts.