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Mikey Miele or better known as MYTHM is a electronic music producer from Vancouver, Canada who fuses UK Dubstep with a heavier sound that introduces intricate basslines, syncopated rhythms and dark, atmospheric elements.

2024年4月26日 · Today, MYTHM achieved another new milestone in his career, releasing his debut album with Deadbeats, Mind Of Madness. Fans can get lost in the frequencies as they tell a sonic story throughout this 12-track masterpiece, pairing his signature sound with a side of him never seen before.

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DENVER DUBSTEP STAYS UNDEFEATED. LOVE TO @CASPAOFFICIAL AND TEAM FOR HAVING ME OUT! tunes: 1. mythm x @infektdubstep collab 2. mythm x @caspaofficial collab 3. mythm - inferno 4. mythm x @ken_combine collab 5. @kahnbristol - abbatoir x @jkenzomusic - ruffhouse 🎥: @_emmlovesyou

My names Mikey and I go by the artist name MYTHM. I’m a 26 year old Dubstep / bass music artist from Vancouver, Canada and I’ve had releases on Artikal, Deadbeats, Deep, Dark & Dangerous, Wormhole and Wheel and Deal Records to name a few.

2024年3月2日 · MYTHM delivered the lead single from his debut album on Deadbeats, Mind Of Madness, along with the official release date. Canadian bass music DJ and producer MYTHM has quickly and rightfully earned his place as a respected artist within the bass music community.

2024年4月26日 · Mind of Madness by MYTHM, released 26 April 2024 1. Damage 2. Grim 3. Mercy 4. Switchblade 5. Doom 6. Takedown 7. Cuts 8. Death Wish ft. Slowie 9. Reptile 10. Forbidden 11. Rough ft. Rakjay 12. Voices in the Ether “In the chaos of madness, lies the creativity of the mind unbound.” My debut album Mind of Madness is out now on DeadBeats.

Mikey Miele, better known as MYTHM, is an electronic music producer from Vancouver, Canada who fuses UK Dubstep with a heavier sound, unleashing rupturing basslines, distorted drum breaks, sharp vocal chops, and immersive dark atmospheres.

2020年6月1日 · Clash by MYTHM, released 01 June 2020 1. Clash 2. Tiptoe 3. Oddity This 3 track EP draws influence from various aspects of halftime and left field bass, comprised of tempos ranging from 85 and 120. Each track ventures into its own sound, yet still has elements of my signature style and flow.