Neo-Fauvism was a poetic style of painting from the mid-1920s proposed as a challenge to Surrealism. [1] The magazine Cahiers d'Art was launched in 1926 and its writers mounted a challenge to the Surrealist practice of automatism by seeing it not in terms of unconscious expression, but as another development of traditional artistry. They ...

野兽派 （法语： fauvisme， 发音： [fovism] （ⓘ））是 法国 20世纪初期的 象征主义 画派，画风强烈、用色鲜艳大胆，将 印象派 的色彩理论与 梵谷 、 高更 等 后印象派 的大胆涂色技法推向极致，不再讲究 透视 和明暗、放弃传统的远近比例与明暗法，采用平面化 构图 、阴影面与物体面的强烈对比，脱离自然的摹仿。 野兽派作为一种风格始于1904年左右并持续到1910年后，但该运动本身只持续了几年，即1905年-1908年，其间举办了三次展览 [1][2]。

野獸派 （法語： fauvisme， 發音： [fovism] （ⓘ））是 法國 20世紀初期的 象徵主義 畫派，畫風強烈、用色鮮豔大膽，將 印象派 的色彩理論與 梵谷 、 高更 等 後印象派 的大膽塗色技法推向極致，不再講究 透視 和明暗、放棄傳統的遠近比例與明暗法，採用平面化 構圖 、陰影面與物體面的強烈對比，脫離自然的摹仿。 野獸派作為一種風格始於1904年左右並持續到1910年後，但該運動本身只持續了幾年，即1905年-1908年，其間舉辦了三次展覽 [1][2]。

Fauvism can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat [3] and other Neo-Impressionist painters, in particular Paul Signac.

Fauvism, the first 20 th-century movement in modern art, was initially inspired by the examples of Vincent van Gogh, Paul Gauguin, Georges Seurat, and Paul Cézanne. The Fauves ("wild beasts") were a loosely allied group of French painters with shared interests.

André Derain had a major role in the development of two of the most significant artistic movements of the early-20 th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism.

Neo-Fauvism was a poetic style of painting from the mid-1920s proposed as a challenge to Surrealism. [1] The magazine Cahiers d'Art was launched in 1926 and its writers mounted a challenge to the Surrealist practice of automatism by seeing it not in terms of unconscious expression, but as another development of traditional artistry.

Vlaminck's particular brand of Fauvism incorporated heavy, dark outlining of brightly colored forms that - more so than those of the other Fauves - had a profound impact on the development of abstract, expressive painting and printmaking on German modernist artists like Wassily Kandinsky, Ernst Kirchner, and Emile Nolde.

Louis Vauxcelles (French pronunciation: [lwi vosɛl]; born Louis Meyer; 1 January 1870 – 21 July 1943 [1]) was a French art critic. [2] . He is credited with coining the terms Fauvism (1905) and Cubism (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias. [3] Vauxcelles was born in Paris.