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Ya echaba de menos hacer un disco . en directo. Una grabación en vivo es un lujo, puedes sentir la respiración de los músicos que están a tu lado, es espontáneo, festivo, te lo pasas bien. A veces hay fallos, pero te encuentras en un estado de excitación, en el que la adrenalina te ayuda a encontrar soluciones, casi siempre ...
Paco De Lucia En Vivo desde el Teatro Real
Around Paco were sat hundreds of young people marvelling at the Flamenco of the guitarist from Algeciras, every inch and forever a Flamenco concert artist. Recorded on the 18th of February 1975, this was a milestone recording for Flamenco guitar.
Luzia | pacodelucia.org
This record is the first time the we hear the voice of Paco singing (his frustrated passion): “I sang a reference in the recording for a cantaor (singer) to then record over the top, but it seemed to me to be much more intimate, much more true and more direct, to give this homage with my own voice, despite the fact that any cantaor would have ...
El Mundo Del Flamenco | pacodelucia.org
1971 was without doubt a singular year in the recording career of Paco de Lucía. Far from trying to travel new paths alone, Paco preferred to record an album brimming with Flamenco inspiration with all of its ingredients: vocal, toque and dance. The …
Fuente y Caudal | pacodelucia.org
Paco de Lucía achieved international as well as national recognition with the release of this album, owing greatly to the popularity of the rumba ‘Entre Dos Aguas’, which was only added at the last minute because only seven tracks had been recorded for the album up to that point.
Live In America | pacodelucia.org
The live experience of Paco de Lucía’s Sextet is a revelation. Many are those who have become staunch supporters of the genius from Algeciras after having been present at one of the concerts. The rapport between the members of the group, the surprising communion in the making of music produces brilliant moments which live in the memories of ...
Solo Quiero Caminar | pacodelucia.org
The same thing happened with the sound and style of Carles Benavent, which is now a reference for bass-playing in Flamenco, as is the personal style of Jorge Pardo on the flute or the saxophone. The Sextet marks a new cycle in the work of Paco de Lucía in particular and of Flamenco music in general.
Paco De Lucia intrerpreta a Manuel de Falla
The version we know today as El Amor Brujo was premiered by Antonia Merce “La Argentina” and Vicente Escudero in Paris. Paco de Lucía takes tracks 2,3,7,8 and 9 from the definitive 1925 version. From the opera in 2 acts La Vida Breve Paco de Lucía takes the famous ‘Danza de la Boda’ (6) form the first scene of the second act.
El duende flamenco | pacodelucia.org
Paco’s brother Ramón de Algeciras collaborates on ‘Canastera’, the final track, the style of which was created jointly with Camarón during the Gypsy Flamenco Festival tours, and which gave the title to the 1972 album recorded with the genius from San Fernando.
Canciones de García Lorca para guitarra. | pacodelucia.org
Canciones de García Lorca para guitarra. 1965 Paco de Lucía arranges and interprets, along with Ricardo Modrego, the songs brought together in the twenties by Federico García Lorca, most of which were collected from the canon of popular songs from the 18th century which Federico recorded in 1931, accompanied on the piano by Encarnación ...