Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens . [ 2 ]

2025年1月1日 · Pieter Lastman (born 1583, Amsterdam—buried April 4, 1633, Amsterdam, Neth.) was a Dutch painter of biblical and mythological scenes in antique landscapes who had a strong influence on the young Rembrandt, who worked in his Amsterdam studio in 1624.

Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens . In his paintings Lastman paid careful attention to the faces, hands and feet.

Pieter Lastman was the pre-eminent history painter of his generation in the Northern Netherlands. Born in Amsterdam to Catholic parents, Lastman trained with the painter Gerrit Pietersz and from 1602 spent several years in Italy.

Pieter Lastman had the misfortune of being eclipsed by his most gifted pupil, Rembrandt van Rijn (1606–69). As a consequence, his work and reputation always stood in Rembrandt’s shadow.

2024年2月21日 · The son of a goldsmith, Pieter Lastman became known as one of the most important artists of his day for his ability to paint small cabinet pictures. At the age of nineteen, Lastman went to Italy, where he spent five years.

Stories of the misdeeds of the Greek and Roman gods were popular subjects for paintings in the seventeenth century. Pieter Lastman had been to Rome and seen the innovative paintings of Caravaggio and his followers. He takes on their use of chiaroscuro – the dramatic use of light and shadow – and...

2024年3月18日 · Pieter Lastman, The Angel of the Lord preventing Abraham from sacrificing his son Isaac, 1616, Musée du Louvre, Paris. Pieter Pietersz Lastman (1583 – 1633) was the fourth of at least seven children born into the Dutch middle-class …

Pieter Lastman transfers his heroes to the present in Paris and Oenone by dressing them in Dutch costumes contemporary to the culture of seventeenth-century Holland. This anachronistic costuming is especially true of the figure Oenone.

Pieter Lastman had the misfortune of being eclipsed by his most gifted pupil, Rembrandt van Rijn (1606–69). As a consequence, his work and reputation always stood in Rembrandt’s shadow. Lastman’s far-reaching influence is nevertheless visible in the early work of Rembrandt, who completed his training in a brief six months of 1625.