Doris Lessing’s 1963 short story “To Room Nineteen” explores the theme of female independence and autonomy—and of how difficult these are to achieve, especially at the time Lessing wrote it. Any reader familiar with Virginia Woolf’s classic essay “A Room of …

From the magnificent 'To Room Nineteen', a study of a dry, controlled middle class marriage 'grounded in intelligence', to the shocking and sharp 'A Woman on a Roof, where a workman becomes obsessed with a pretty sunbather, this superb collection of stories from the 1950s through to the 1990s bears witness to Doris Lessing's extraordinary ...

《到十九号房间去》为多丽丝·莱辛短篇代表作Ⅱ，国内首次译介，含十九篇作品，写于二十世纪五十年代至九十年代的四十余年间。 莱辛道出人际关系中的激情与困惑，在冷静地剖解日常中，竖起一面镜子，便于人们对镜自照。 另有短篇代表作《对杰克·奥克尼的考验》。 多丽丝·莱辛许许多多美妙无比的短篇小说中，我最喜爱的是她最著名的——《到十九号房间去》。 ——乔伊斯·卡罗尔·欧茨. 对于我们这些在二十世纪五十年代的英格兰生活过的人们来说，《到十九号房间去》里 …

There she sat looking at the river through the trees. She felt at peace, but in a way that was new to her. She had no desire to move, to talk, to do anything at all. The devils that had haunted the house, the garden, were not there; but she knew it was because her soul was in Room 19 in Fred’s Hotel; she was not really here at all.

十九号房间是一个女人追求自我实现、自我救赎、自由之境、摆脱孤独存在的伊甸园。 *2）构思方面： （1）苏珊面临的是“寻找自我”的现实困惑，在物质满足富有的基础上 ，一个女人面对的是自我迷失，找回自我的精神难题，自我与现实怎样和解的永恒探索。 从这种意义上讲，《到十九号房间去》呈现了一幅放大了的女性悲情画卷，人物形象隐忍、内敛、节制；守规矩、有底线，服从于道德约束，对女性心理诉求、隐秘空间、精神挣扎剖析的淋漓尽致，游刃有余，充满了以柔克 …

“To Room Nineteen” is a short story by British writer Doris Lessing. First published in her 1963 collection A Man and Two Women, it embodies the primary themes for which Lessing won the 2007...

2017年11月21日 · 苏珊擅画广告画，对自己所负责制作的广告，她以幽默 的态度处之，说不上有什么特别的感受。 两人婚前所住的公寓都很理想，可是婚后，不论保留谁的，都不甚妥当。 对方总会 有寄人篱下之感。 因此，他们搬到南肯辛顿，另租一间公寓。 两人互有默契，一旦婚姻 稳定下来，他们就要买一间有庭院的房子，生男育女。 婚姻稳定这件事，对他们来说， 是再自然不过的，他们知道，那不需等待多久，本来大可不必理会，只是为了从俗，他 们才不得不这么说 …

2020年12月23日 · 不以“关心”的名义闯入别人的19号房间，是一种温柔，也是一种善意。 人人都需要一个19号房间，一个疲惫时放空自己，独处时陈列心事的私人空间。

escape the hustle and bustle of the city and step into room 19, where tranquility and taste meet.

Room 19 At its most fundamental, the hotel room Susan escapes to represents freedom, especially from traditional gender roles. The greenness of the room’s furnishings—curtains, bedspread, and armchair—evokes the natural world, building off the imagery that links Susan to a wild animal confined to a domestic space.