Sergio Aragonés Domenech (/ ˌ æ r ə ˈ ɡ oʊ n ɪ s / ARR-ə-GOH-niss, Spanish: [ˈseɾxjo aɾaɣoˈnes ðoˈmenek]; [a] born 6 September 1937 in Sant Mateu, Castellón, Spain) [1] is a Spanish-Mexican cartoonist and writer best known for his contributions to Mad magazine and creating the comic book Groo the Wanderer.

Sergio Aragones is one of the icons of cartoon art. A contributor to MAD Magazine since the 1960s, Aragones continues to attend comic book conventions around the county.

2019年8月4日 · Sergio Aragones has been drawing little cartoons to appear in the margins of MAD Magazine since issue 76 back in 1963. As the story goes, the magazine had previously included little text jokes in the margins, but they were difficult for …

2024年10月26日 · Sergio Aragonés Domenech was born on September 6, 1937. He is a Spanish-Mexican cartoonist and writer, recognized for his contributions to "Mad" magazine and the creation of the "Groo the Wanderer" comic. Among his peers and fans, Aragonés is widely regarded as "the fastest cartoonist in the world."

2014年12月31日 · MAD Big Book 01 - Sergio Aragones On Parade 1979. A Collection from his Best from MAD Magazine.

2012年12月1日 · The cartooning of Sergio is represented on the new MAD app for the iPad. It features classic material from the magazine and also gives you the opportunity to download recent issues for a modest fee and read them on your iPad.

Sergio Aragonés Domenech (born September 6, 1937) is a Spanish/Mexican cartoonist and writer best known for his contributions to Mad magazine and creating the comic book Groo the Wanderer. Among his peers and fans, Aragonés is widely …

Sergio’s first contribution — “A Mad Look at the U.S. Space Effort” — appeared in Mad #76, cover-dated January of 1963. For that same issue, he also contributed the cover gag (the first of many) and his first “Marginal Thinking” cartoons to be printed in the magazine’s margins.

2009年12月16日 · The Little Cartoons of Mad Magazine's Sergio Aragones. From the Franklin Mint Blog: Aragonés became famous for his wordless "drawn-out dramas" or "marginals" which were inserted into the margins and between panels of the magazine. The drawings are both horizontal and vertical, and occasionally extend around corners.