R88 Series ribbon mics capture sound as your ears hear it, with an honest and open tonality. The R88 and R88A effortlessly record complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.

The AEA R88 stereo ribbon mic stuns engineers with its clarity and natural stereo image. The R88 boasts two Big Ribbon elements angled at 90 degrees, getting true stereo sound from a single microphone.

Known as the “set it and forget it mic,” using an R88 is an excellent way to effortlessly capture the authentic and natural sound without the hassle of a multi-mic setup.

The AEA R88A is a fantastic choice for recording large Wind Ensembles, Orchestras, and Choirs on stage. It sounds very natural and captures detail and tonal colors extremely well. It is equally effective on large ensembles, jazz horn sections, and in live/broadcast applications.

The AEA R88 is, in rather simplistic terms, two R84 figure-of-eight mics mounted one above the other in a common housing. As a result, this is a seriously large (and heavy) microphone. It measures 2.6 inches in diameter — the same as the R84 — but a whopping 15.9 inches long (including the fixed mounting frame), and it weighs a stand ...

2019年1月25日 · The R88 boasts two Big Ribbon elements angled at 90 degrees, getting true stereo sound from a single microphone. A great way to get a spacious sound without the hassle of a multi-mic setup. The AEA R88 uses Large Ribbon Geometry (LRG) architecture, that delivers effortless bass down to 20Hz - a feat rarely achieved by mics with a smaller ribbon.

Discover how to maximize the natural, expansive sound of the AEA R88 Stereo Ribbon Mic. Learn and how it shines on instruments, vocals, and more.

In this review, I'll cover the RPQ500, the single-channel, 500-series module, which shares the same circuit design and features as the original RPQ, including 10 k ohm input impedance, 81 dB of clean gain, switchable mic/line inputs, the unique CurveShaper semi-parametric high-frequency boost, and a variable-frequency high-pass filter.

Meet the AEA R88 mk2, a well-deserved update to AEA's original Blumlein stereo ribbon, with a smaller footprint and a vastly improved mount. With 90-degree-crossed ribbon elements, the R88 is a point-and-shoot stereo mic perfect for drum overheads, room mics, orchestras and choirs, and anything e...