Johann Sebastian Bach composed the church cantata Ach, lieben Christen, seid getrost (Ah, dear Christians, be comforted), [1] BWV 114, in Leipzig for the 17th Sunday after Trinity and first performed it on 1 October 1724. It is based on on a 1561 hymn of penitence by Johannes Gigas. Its tune is featured in three of the work's seven movements.

BWV 114: Ach, lieben Christen, seid getrost; BWV 115: Mache dich, mein Geist, bereit; BWV 116: Du Friedefürst, Herr Jesu Christ; BWV 117: Sei Lob und Ehr dem höchsten Gut; BWV 118: O Jesu Christ, mein's Lebens Licht; BWV 119: Preise, Jerusalem, den Herren; BWV 120: Gott, man lobet dich in der Stille; BWV 120a: Herr Gott, Beherrscher aller Dinge

2023年1月9日 · Cantata BWV 114: Ach, lieben Christen, seid getrost for 17 th Sunday after Trinity Discography: Details & Complete Recordings | Recordings of Individual Movements Discussions: Part 1 | Part 2 | Part 3 | Part 4

The Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach. [1][2][3][4][5] These minuets, which are suitable for beginners on the piano, are among ...

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Still, by that date, Bach had produced an uninterrupted stream of 40 new chorale-based cantatas the last one was BWV 1 for 25 March 1725 (Annunciation). The result is so impressive that for a long time Bach scholars thought these works were the culmination of his efforts in the genre, rather than the product of a composer who had just turned 40.

康塔塔是一种包括独唱、重唱、合唱的声乐套曲，一般包含多个乐章，大都有管弦乐伴奏。 通常包含多个乐段，往往以序曲或者合唱开头，以合唱结尾，中间交错有伴奏的宣叙调，独唱或者重唱的咏叹调以及不同规模的合唱。 比清唱剧（oratorio）规模稍小，内容偏重抒情或论述。 合唱指两组以上的歌唱者，各按本组所担任的声部演唱同一乐曲。 分同声与混声两种：同声的由男声或女声单独组成；混声的由男声和女声混合组成。 按声部的多少，又可分二部合唱、三部合唱、四部 …

1. Johannes Gigas, verse 1 of the hymn, 1561 (Wackernagel, I, #511 and IV, #257), to the chorale melody "Wo Gott, der Herr, nicht bei uns hält" (cf. BWV 178); 2-3. based freely on verse 2; 4. verse 3; 5-6. based freely on verses 4 and 5; 7. verse 6 of the hymn.

此曲收錄於1725年《獻給妻子的筆記本》裡，與其成對的作品G小調小步舞曲（BWV Anh.115），常與之以Da Capo的形式演奏。 而這本巴赫寫給他的第二任妻子安娜·瑪格達萊娜（Anna Magdalena）的筆記本為17世紀末18世紀初不同作曲家的音樂彙編，其中包括法蘭索瓦·庫普蘭、Georg Böhm以及巴赫本人和他的兒子（如卡爾·菲利普·伊曼紐爾·巴赫）。 1725年筆記本中大多數的作品都是由安娜·瑪格達萊娜本人編入的，還有一些是由約翰·塞巴斯蒂安和巴赫家族 …

In the first two bars of the ritornello, oboes and violins announce three of the four motives from which the entire movement will be wrought. Firstly comes a striding crotchet figure on the upper instruments. This resolves itself immediately into the second idea, a quaver turn about the tonic note of g (bar 2).