2021年1月31日 · One key thing to remember is that when it comes to art, gazing is largely about power. It's rude to stare at a person for a long while but we can stare at a work of art for as long as we want. But then we need to consider the role and nature of the artist in his or her gaze and how that effects of understanding of what is being represented.

In critical theory, philosophy, sociology, and psychoanalysis, the gaze (French: le regard), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself.

Glaze 2.1 is here, and includes bugfixes and changes to resist a new attack. More info. We updated our AboutUs page with our values and our mission. Glaze website translated into Japanese here, thank you Mayumi Nakamura Birt! What is Glaze & How Does It Work? All artworks and images Glazed and posted with permission.

The concept of gaze (often also called the gaze or, in French, le regard), in analysing visual culture, is one that deals with how an audience views the people presented.

In many cases, the gaze is what pulls in and grips the viewer. The subject’s eyes are what makes the viewer feel something. The gaze in portraiture has been studied and discussed extensively. The way that the artist chooses to capture the gaze can dramatically change how a viewer perceives the work and the person depicted in the portrait.

2014年4月1日 · The Mona Lisa’s enigmatic, direct gaze at the viewer and Vermeer’s female subjects’ lonely, diverted eyes have captivated art historians for centuries, giving insight into psychology and social relationships in eras past.

The art historian Konrad Fiedler’s (1841–1895) concept of Sichtbarkeit (visibility) was formulated in 1887 in order to stress that vision and the other senses cannot be compared. In that respect he is a crucial forerunner of the theory of the gaze, with its ambition to present an intrinsically visual theorization appropriate to film and ...

2023年11月30日 · The Female Gaze in visual art attempts to give agency to the female characters, keeping them from being objects for the men (men in the scene of the art, and men viewing the art) but also trying to make you feel empathy for the women, not only as objects, but as objects knowing they’re being objectified.

One area of research within contemporary feminist art criticism has been the (male) gaze and its power in spectatorship. This paper examines the web of gazes present in a

This essay explores schisms between art that instills contemplative attitudes in refuge from a troubled world and activist art that lays siege to art galleries to expose their political indifference. It concludes that the inside/outside metaphor takes on a …