The Gutai Art Association (具体美術協会, Gutai Bijutsu Kyōkai, or, short, Gutai) was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It …

“具体派（Gutai）”是日本的一个 前卫艺术 群体，代表了日本极权主义所禁止的一切。 “在具体派艺术中，人类精神和材料之间是互助的关系。 ”这种启发式的宣言为当时的日本 现代艺术 指出了一条属于自己的出路。 1945年成立后，在战后的全球艺术史留下了浓墨重彩的一笔。 如果我们想探索具体派的艺术成就，就必须从它独特的社会背景说起，了解它的形成、理念和发展进程。 日本战后的伤痛，是伴随着强烈的革新意识而来的。 战后的 日本艺术 面临着两个议题：一方面艺术家 …

Jùzhī Yīzhǐ (Chinese: 俱胝一指; Japanese: Gutei Isshi) was a 9th-century Chinese Chán, or Zen, master. After Bodhidharma, he was the eleventh successor [1] in the line of Nányuè Huáiràng (677–744) and Mǎzǔ Dàoyī (709–788), as well as—according to some sources— Línjì Yìxuán (although according to others he was Linji's contemporary).

Gutai artists were exceptional international networkers who used the media to spread their ideas across the globe. They also collaborated with other artists' groups in Europe and America, including Allan Kaprow's Happenings, the Art Informel group, and the Dutch Nul collective.

2024年7月17日 · The Gutai Art Association, founded in Japan in 1954, stands as a pioneering force in the realm of avant-garde art. Led by the visionary Jirō Yoshihara, Gutai artists sought to redefine the boundaries of artistic expression through innovative techniques and a profound commitment to the ethos of “concreteness.”

2024年9月23日 · Gutai translates loosely as ‘concreteness’, and reflects the group’s readiness to engage with a remarkable range of materials, from paint to tar, mud, glue, newspaper and water. During Gutai’s first phase, from 1954 to 1961, Kazuo Shiraga was seen as its predominant force.

Gutai were a Japanese avant-garde group formed in 1954 whose radical ideas and approaches to making art anticipated later performance and conceptual art of the 1960s and 1970s

具体派（Gutai Group）是“二战”后日本最激进的前卫艺术团体，以创造观念性的装置和行为艺术为主。 具体派创建于1954年，发起者吉原治良选择了“具体”（Gutai）一词，代表与抽象的对立，反对当时主导艺术界的抽象派艺术。

In Gutai Art, the human spirit and matter shake hands with each other while keeping their distance. Matter never compromises itself with the spirit; the spirit never dominates matter. When matter remains intact and exposes its characteristics, it starts telling a story and even cries out.

L’influence des préceptes du bouddhisme zen introduite dans le mouvement artistique Gutaï (1954-1972) fera émerger un art du sens du geste, de la concentration et de l’intuition, qui ouvriront la voie à des performeurs qui valoriseront le corps, qui inviteront à la méditation, et qui repenseront ainsi notre rapport à l’espace et au ...