
Hakka Chinese - Wikipedia
Hakka (Chinese: 客家话; pinyin: Kèjiāhuà; Pha̍k-fa-sṳ: Hak-kâ-va / Hak-kâ-fa, Chinese: 客家语; pinyin: Kèjiāyǔ; Pha̍k-fa-sṳ: Hak-kâ-ngî) forms a language group of varieties of Chinese, …
[Big5 Characters] Tones for Hakka - dylsung.neocities.org
For the majority of Hakka speakers, there are six tones, which are classed traditionally as YinPing 陰 平 , YangPing 陽 平 , ShangSheng 上 聲 , QuSheng 去 聲 , YinRu 陰 入 and YangRu 陽 入 .
Hakka Tones — Hakka Mauritians 客家
Hakka Tones. It is important in all Chinese languages to use the correct tone (pitch of voice), so as to distinguish between different words that are otherwise pronounced the same e.g. fu(1) …
Hakka Tones - dylsung.neocities.org
An arbitary scale of 1 through to 5 tone levels is used as a reference to the amount of change in pitch that a sound undertakes. The pitch variation is enclosed by two forward slanting slashes …
Hakka Tones - Tripod
Most Hakka dialects have six tones. The Shatoujiao Hakka in this site also has six tones. There are two type of tones, legato, and staccato. Hakka legato tones end in vowels, or nasal …
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SEAlang Projects
The Hakka tone system as spoken in Bangkok, Thailand, is divided into four tones on live syllables, i.e., open syllables or syllables closed with a sonorant and two tones on dead …
Hakka tones in Yuan’s study (1960) was used as reference and the six citation tones are [44, 11, 52, 31, 5, 1]. This study is an acoustic analysis of the six citation tones in Meixian Hakka. The …
Hakka Related Material. - dylsung.neocities.org
Hakka Tones I Shatoujiao Hakka forms the basis of discussion for readings of characters of the same tone, the total number of percieved tones, and tone sandhi, with Real Audio sound clip …
annotation system for Taiwan Hakka, “Taiwan Hakka Tones and Break Indices” is called TWHK_ToBI. TWHK_ToBI includes five tiers: ortho, words, tones, breaks, and miscellaneous. …
outperformed native speakers of nontonal English when learning Hakka Chinese tones following five sessions of tone training, and whether the complexity (i.e., density) of a listener’s native …