Quiet City is a composition for trumpet, cor anglais or oboe, and string orchestra by Aaron Copland. In the published score, the composer indicates "use Oboe only if no English Horn is available." [1] In 1939, Copland wrote incidental music for the play Quiet City by Irwin Shaw. [2] .

Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Aaron Copland's "Quiet City" set to a recording by the Cincinnati Pops Orchestra and conductor...

2011年11月12日 · Quiet City was music that Aaron Copland wrote for playwright Irwin Shaw. Shaw's play of the same name was a flop that never made it out of previews — and Copland's original score for trumpet,...

2012年6月30日 · In 1939 Aaron Copland wrote incidental music for the Irwin Shaw play Quiet City. Commissioned for the Group Theater by Harold Clurman and directed by Elia Kazan, the play closed after only two...

Modeled after Doc Savage and The Shadow, Simon Spector is a wealthy man who apparently lives in a skyscraper in Manhattan. He has been trained to kill barehanded and makes use of drugs which make him "super-sane" with advanced cognitive abilities, at the cost of cutting his life expectancy with each dose.

Every girl in New York City has quit her job. 纽约的每个女人都辞职了。 The unit or school shall have settled in the country after the visa applicant, apply for leave or quit the formalities in accordance with the provisions of the state and the city. 其所在单位或者学校应当在该申请人取得定居国家入境签证后，按照国家和本市的规定办理离职或者退学手续。

High quality example sentences with “quit city” in context from reliable sources - Ludwig is the linguistic search engine that helps you to write better in English

必应词典为您提供quit的释义，美[kwɪt]，英[kwɪt]，n. 辞职；退出； v. 离开；停止；戒掉；关闭； adj. 被释放；自由的；摆脱了…的；了清债务的； 网络释义： 放弃；退出游戏；退出程序；

Jamie arrives in New York City, where she is supposed to meet her friend Samantha at a diner. After getting off the subway, she asks a man named Charlie for directions. Charlie escorts her to the diner, but Samantha never shows up and does …

2019年5月15日 · Aaron Copland’s Quiet City begins with primal open intervals (fourths and fifths) which seem to emerge from a vast, wide-open landscape. The expansive pandiatonicism of these opening bars—something similar to what we hear in the opening of Appalachian Spring — gives us a sense of floating harmonic ambiguity, timelessness, and infinite ...