The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony.

爵士乐中最常使用的进行叫做ii—V—I进行，也就是前文提到的251。 使用这个和弦进行的理由在于爵士乐中大量的Modulations(转调)和以及短暂的Tonicization（主音化），爵士音乐家利用这样快速的改变来创造音乐里的爵士感，而251进行将古典音乐中附属-属-主的关系 ...

The ii–V–I progression can be identified through a combination of root motion by fifths plus its distinctive sequence of chord qualities (mi7 – 7 – ma7 in major, or ∅7 – 7 – mi7 in minor). Because this progression is so important to jazz, the concept of applied chords can expand to include applied subdominant chords—i.e., the ii chord.

Ⅱ-Ⅴ-Ⅰ 进行在歌曲中是很常用的和弦走向，与 五度圈 有密不可分的关系，正确使用Ⅱ-Ⅴ-Ⅰ 的进行会让你的歌曲更加出彩。 我们今天就来教大家一种简易而实用的使用方法。 以C大调的黄金八小节为例： C丨 G/B 丨Am丨Em/G 丨F 丨Em 丨Dm7丨 G. 我们将Am看作A小调的Ⅰ 级主和弦，A小调的Ⅱ级和Ⅴ级的顺阶和弦分别为Bdim与Em，由于小调的Ⅴ级和弦常用大三和弦，我们就记作E。 同样，我们将F看作 F大调 的Ⅰ 级主和弦，F大调的Ⅱ级和Ⅴ级的顺接和弦分别为Gm和C。 …

2025年1月14日 · We’ll learn how the ii-V-I progression works and review examples from real jazz standards. We will also review common substitutions jazz musicians use in place of 2-5-1 progressions to add variety, tension, and altered sounds to their chord comping.

2015年9月15日 · 爵士樂必備元素—II-V-I的和聲概念與練習方法，以及什麼是「五度循環」（Cycle of Fifth）？ 不管你是對爵士樂即興有興趣的學習者，或是聽音樂找資料的樂迷，相信一定會常常聽到爵士樂手或是評論資料上說到「2-5」，這到底是什麼？ 為什麼大家都在談？ 是的，這是在爵士樂中很重要的和聲概念，所以我們先把它放到爵士曲式中來談。 所謂的「2-5」或「Two-Five」，原出於一種和聲進行上的動作，也就是低音的移動距離，會往下五度走，譬如如果是D和 …

今天第二章 大调音阶和ii-V-I进行 上图是将每个级数上的七和弦进行了排列，并给出了相应的音阶调式。 与古典音乐不同，文中以中古调式开始引入，再讲解由各调式上的root 3rd 5th 7th组成的七和弦，想必是为了方便…

2024年3月21日 · What is the 2-5-1 chord progression? The 2-5-1 chord progression (sometimes called the ii-V-I) is an ordered set of three chords built on the second, fifth, and first notes of the key. Let’s take a step back and break that down. Here’s a C major scale. We’ll assign a number to each note of the scale:

The iii–vi–ii–V progression is called a turnaround because it replaces the static harmony of the I chord in the last two measures of a tune with harmonic motion that leads to the I chord that will occur upon repetition to the top of the form. This also applies to the I–VI–II–V progression.

Minor II-V-I. However, another very commonly used chord progression is the Minor II-V-I. In the key of C Minor, a Minor II-V-I would have the following chords: | Dm7♭5 – G7alt | CmMaj7 || This chord progression can be derived in two different ways: All from the C Harmonic Minor Scale