Boomtown Fair - Grand Central is getting a reputation for...

In the annals of British post-punk, few albums loom as large as The Fall's fourth studio opus, Hex Enduction Hour. Released on March 8th, 1982, this album saw Mark E. Smith and his cohorts pushing their abrasive, Northern aesthetic to new heights, crafting a sound that was as caustic as it was captivating. Partially birthed in the rugged terrain of Iceland, Hex Enduction Hour's raw, low-fidelity production values were a deliberate choice by Smith and his collaborators. Lyrically, Smith intended